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主演：德尼·波达利德斯,Abdoulaye,Diallo,Tabono,Tandia,Pauline,Huruguen
导演：Olivier,Ayache-Vidal
简介：弗朗索瓦在國內最著名的中學任教，他很是享受現時所過的生活，交往的都是巴黎的知識分子和有錢人。一次突發的情況使他被迫接管到位於巴黎市郊貧平易近區的一間學校工作，這讓他必須面對本身的局限，更颠覆了他原來的價值觀和决定信念。
主演：奥玛·希,格洛丽亚·科尔斯顿,克蕾曼丝·波西,安托万·贝特朗,艾什雷·沃特斯,克莱门汀·塞拉里耶,安娜·科蒂斯,拉斐尔·冯·布卢门塔尔,本·霍姆伍德,爱丽丝·戴维,莫娜·瓦尔拉芬斯,拉奎尔·卡西迪,霍华德·克罗斯利,安娜贝尔·洛佩斯,塞西尔·卡塞尔,鲁本·阿尔维斯
导演：雨果·热兰
简介：萨缪尔（欧麦•希饰），黑人移平易近儿女，普罗旺斯地中海峡湾和沙岸上驰名的花花公子，白日给老板娘做豪华游艇驾驶员，晚被骗迪吧派对主持人，仰仗着帅气、诙谐和撩妹的先天，获得了来交经常各类年龄女人的爱媚。一天凌晨，不速之客克莉丝汀（克蕾曼丝•波西饰），抱着3个月大年夜的混血女婴找上门，说孩子是和萨缪尔一年前的一夜情留下的，借口付车费、抛下孩子走了。男主按照脸书上唯一的头像，来到伦敦寻克莉丝汀未果，偶遇法国老乡制片人贝尔尼（安托万•贝尔纳饰），在片场找到了生计，变成超等奶爸，让孩子格罗里亚欢愉地长大年夜。八年后的一天，孩子母亲俄然呈现，环境变得复杂……
主演：乔什·哈奈特,木村拓哉,李秉宪,陈女燕溪,余文乐,伊莱亚斯·科泰斯,欧塞维奥·庞塞拉,谷祖琳,李灿森,林迪安
导演：陈英雄
简介：洛杉矶差人克莱因（乔什•哈奈特 Josh Hartnett 饰）在办案中惨遭赤诚，罪犯嗜血如命，喜好支解活人。克莱因身受重伤，仍侥幸活命，但心底留下阴影，被迫革职。3年后，一名中国富商拜托克莱因辅佐寻觅掉踪儿子师涛（木村拓哉 Takuya Kimura 饰），他来到喷鼻港，欢迎他的是老友孟子（余文乐 Shawn Yue 饰），后者亦是差人。在警局，克莱因与师涛擦肩而过。随后，产生荒漠命案，孟子思疑此事为流浪汉（李灿森 饰）所为，两人仓猝赶到现场。与此同时，黑帮头子苏东坡（李秉宪 Byung-hun Lee 饰）的恋人莉莉（陈女燕溪 Tran Nu Yên-Khê 饰）被狂徒掳走，后者开车逃逸，也来到了荒漠处，但被击毙。查询造访中，克莱因逐步发现了莉莉、李秉宪、师涛之间的奥妙关系……本片为越南导演陈英雄息影7年的回归之作，入选62届戛纳电影节比赛单位。
主演：薇姬·克里普斯,蒂姆·罗斯,米娅·华希科沃斯卡,安德斯·丹尼尔森·李,Joel,Spira,加布·克林格,Wouter,Hendrickx,Oscar,Reis,Grace,Delrue,Felix,Berg,Clara,Strauch,Teodor,Abreu,Jonas,Larsson,Grönström,梅琳达·金纳曼,斯蒂格·比约克曼,Hampus,Nordenson
导演：米娅·汉森-洛夫
简介：伯格曼岛讲述了一对美国电影建造人克里斯（维克·克里普斯饰）和托尼（蒂姆·罗斯饰）的故事，他们在夏天来到神秘的法罗岛。在伯格曼居住和拍摄他最著名作品的这片荒漠、惊险的风光中，希望为即将上映的电影找到灵感。随着分隔度过的日子一天天畴昔，克里斯对这个岛屿的沉沦开端了，她初恋的记念品再次浮出水面。实际和虚构之间的边界将逐步模糊，使这对佳耦加倍分手。
主演：Iris,Jodorowsky,William,Mesguich,Amandine,Noworyta
导演：Jude,Bauman
简介：Elodie and Laetitia live in close love and dream of having a child. As Elodie discovers that she cannot get pregnant because of a health problem and encounters financial troubles, they decide to take a roommate.
主演：伊莎贝尔·阿佳妮,阿涅斯·瓦尔达
导演：阿涅斯·瓦尔达
简介：短片
主演：克劳斯·坦格,Ursula,Bedena,Joe,Koener,Birgit,Yew,汉斯·德·芒特,Anna,D'Annunzio,Jean-Michel,Vovk
导演：布鲁诺·福扎尼,伊莲娜·卡泰特
简介：铅黄电影。有点尝试性的Cult片，《安娜迷宫》的导演又给大年夜家带来感官盛宴。怪奇公寓妇女掉踪，墙后房间通往童年，礼盒爬出帽子刺客，壁纸起伏欲望隧道；时空循环自我谋杀，白发初恋听诊凶案，糖果同化玻璃碎片，爆头画皮血流满屋……
主演：李康生,陈湘琪,陆弈静,苗天,叶童,让-皮埃尔·利奥德,Chao-jung,Chen,Guei,Tsai,Arthur,Nauzyciel,David,Ganansia
导演：蔡明亮
简介：父亲离世后，来到天桥摆摊卖腕表的小康（李康生）同母亲一样，虽自发与其并没有多少感情，却没法摆脱其在精力上的无处不在。由于一块可以显示出巴黎与台北时差的腕表，小康结识要去巴黎的湘琪（陈湘琪 饰），自此，精力抑压的他觉得同巴黎（湘琪 饰）获得了某种情势的关联，获得某种虚空的安抚。当小康经过过程把时钟调慢7小时、不雅看电影《四百击》等情势来表达他对湘琪含混的忖量时，远在巴黎的湘琪也并没能从生活中找到多少积极的意义。不管同性（叶童）还是异性，她均没法从他们身上获得想要的暖和。
主演：朱丽叶·比诺什,妮可·加西亚,弗朗索瓦·西维尔,玛丽-安吉·科斯塔,纪尧姆·谷伊,夏尔·贝尔林,朱勒斯·霍普兰,朱尔斯·高泽林,弗兰西斯·莱珀雷,克洛德·佩隆
导演：萨菲·奈布
简介：比诺什在片中扮演50岁的离婚教师克莱尔，她为了监视本身的恋人乔，在Facebook上虚构了一个24岁标致黑发女生的人物身份。可是乔只接管本身熟谙的人的老友要求。为了能接近乔，克莱尔给他最好的伴侣克里斯发了老友要求，克里斯接管了。不曾想，颠末一段时候的聊天，克莱尔爱上了克里斯，克里斯也爱上了这个虚构出来的女生，他提出想见一面的要求。因而克莱尔不克不及不编出了一份繁忙的工作，一次长时候的出差观光，还有一个妒忌心很强的前任。她要么只能继续编造各类谎话来保持这份没有将来的爱情，要么就得承认本身的棍骗并做好掉去爱情的筹办……
主演：萨尔玛·海耶克,佩内洛普·克鲁兹,斯蒂夫·扎恩,德怀特·尤科姆,丹尼斯·阿尔恩特,山姆·夏普德,伊斯梅尔·伊斯特·卡尔罗,Edgar,Vivar,埃内斯托·戈麦斯·克鲁斯
导演：乔阿吉姆·罗恩尼,艾斯彭·山德伯格
简介：19世纪80年代，美国帝国主义四出扩大，对殖平易近地进行疯狂的洗掠。一时候，殖平易近地人平易近纷繁成立起了抵抗军，匹敌美帝国主义。墨西哥那时也是美帝的殖平易近地，萨拉（萨尔玛•海耶克 Salma Hayek 饰）是本地一名银里手的女儿，固然自小就被精心培养成标准的“欧洲淑女”。但萨拉倒是一身英气侠胆，被美帝篡夺了家里的财富后，萨拉开端了武装掳掠美帝的银行之旅。玛丽亚（佩内洛普•克鲁兹 Penélope Cruz 饰）是本地一户农户的女儿，因父亲被美兵殴打伤重，点燃了她对美帝的仇恨之火，玛丽亚也开端掳掠美帝的银行。两个女孩在一次掳掠银行时偶遇了，从此她们结束了单打独斗，结合起来共同对美帝。
主演：西恩·潘,杰丝敏·特丽卡,哈维尔·巴登,雷·温斯顿,马克·里朗斯,伊德里斯·艾尔巴,彼得·弗兰森,马克·沙尔丹,埃米利奥·布阿勒,卡拉·佩雷斯,托尼·科尔维略,安吉拉·富恩特,玛丽娜·马修斯,大卫·布莱克雷
导演：皮埃尔·莫瑞尔
简介：国际特种军队间谍吉姆（西恩·潘 Sean Penn 饰），为了他的爱人而想要退出组织，但天不从人愿，就在他完成最后一项“任务”时，为了确保本身安然与公司好处，他必必要人世蒸发匿身他处，与心爱的人从此分隔。分开组织在欧洲逃亡多年后，吉姆觉得可以或许离开危险，就此过着安静的生活；无奈人生并不是他想像中纯真，在刚果被神秘人物追杀的他，被迫放下所有，展开流亡。流亡途中他展转联系到旧日战友，并寻求他们的协助，却也是以发现追杀行动里埋没着不为人知的祕密，而此刻，唯有找出追杀他的幕后主使，才能给他一条活路……
主演：罗曼·杜里斯,凯利·蕾莉,奥黛丽·塔图,塞西尔·德·弗朗斯,Evguenya,Obraztsova
导演：塞德里克·克拉皮斯
简介：电影为《西班牙公寓》的续集。时隔五年，塞维尔（罗曼·杜里斯 Romain Duris 饰）已然完成了学业，成了一名专职作家，放弃一切追逐胡想的勇气值得服气，但生活实在不会是以而风平浪静，在可见的将来中，还是有着很多无解的困难等候着塞维尔。在和玛蒂娜（奥黛丽·塔图 Audrey Tautou 饰）分手后，塞维尔名正言顺的过上了四周猎艳的自由生活，而前者则选择了为人妻母，这让塞维尔的心里多几几何有些不是滋味。为了生计，塞维尔不克不及不接管一些毫无乐趣的工作，而实在不丰富的人生经历也让他在写作上遭受了瓶颈。为体味决这个辣手的题目，塞维尔决定好好的回顾一下本身的人生，他来到了位于俄罗斯的圣彼得堡，在哪里，一段新的生活等候着他。
主演：若西安·巴拉斯科,阿娜伊斯·德穆斯蒂埃,塞尔希·洛佩斯,威廉·勒布吉欧,菲烈·卡特林
导演：安托南·佩里提亚可
简介：Paul Château Têtard, 48, falls in love with a young woman working as a counter clerk in the subway. When he plans to marry her, his mother launches a private detective on her tracks to prove she's cheating on her son.
主演：杰瑞米·雷乃,玛丽-朱莉·麦勒,Madeleine,Beauvois,维克多·贝尔蒙多,Olivier,Pequery,伊里斯·布里,Suzanne,Lipinska,Geoffroy,Sery,Stéphane,Brabant,Alexandre,Lefrançois,Pierre,Creton,Marc,Prin,Michaël,Holley,Sébastien,Noël,Jean-Pierre,Leduc,泽维尔·布瓦,玛丽莲·坎托
导演：泽维尔·布瓦
简介：影片环绕埃特勒塔的一个差人队长洛朗展开。他打算迎娶持久伴侣、同时也是本身女儿母亲的“小母鸡”玛丽成婚。他酷爱本身的工作，固然不成避免地天天城市蒙受社会的刁难。而当他试图解救一个用自杀作为威胁的农平易近时，却不谨慎杀死了这个农平易近，他的生活也就此完全堕入混乱。
主演：塔哈·拉希姆,艾玛纽尔·塞尼耶,安娜·多尔瓦尔,伯利·兰内尔,布鲁诺·洛普斯,莫妮亚·肖克里,阿丽斯·塔格里奥妮,卡里姆·莱克路,费尼肯·欧菲尔德,西奥·乔尔比,阿丽斯·德·朗克桑,多米尼克·布隆
导演：卡黛儿·基耶维蕾
简介：一路致命不测牵起陌生故事的延续。赛门不知道，这个拂晓会一去不返。赛门和老友三人于凌晨逐海冲浪，尽兴出游换往返程的疲光驾驶，变成没法挽回的危险。年数轻轻的赛门，人生才刚开端，却因车祸堕入脑死，只能靠生命保持系统活着。就在赛门父母还难以接管事实确当下，大夫英勇奉告，赛门的生命可以解救其他垂死的人命，建议进行器官捐赠配对。同一时候在巴黎，一名深受心疾威胁的母亲正在等候心脏移植，赛门的心跳，将为这位固执母亲注入更生的气力......
主演：Mohamed,Djouhri,Hania,Amar,Hassan,Kachach,Mehdi,Ramdani,Nadia,Kaci,Sonia,Mekkiou,Chawki,Amari,Lamri,Kaouane,奥雷·阿蒂卡,Abdelaziz,Zeghbib,Zineddine,Hamdouche,Saadia,Gacem,Hamid,Ben,Si,Amor,Samir,El,Hakim,Mohamed,Lamine
导演：卡里姆·穆萨维
简介：今天的阿尔及利亚：三个故事，三代人。穆拉德，一名离过婚的房地产开辟商，感觉身边所有人都在回避他。艾莎，一个年轻的女孩，在恋人和未婚夫之间两难挣扎。达曼，一名神经学家，在婚礼前的一天俄然被他的畴昔所困扰。
主演：佐伊·赫兰,玛龙·莱瓦纳,马修·德米
导演：瑟琳·席安玛
简介：男孩子气的女孩劳拉（佐伊·赫兰 Zoé Héran饰）经常被误以为是男生，并且她本身也不认同本身的女孩性别。一天，她跟从家人搬到了新的社区生活。在这里，劳拉干脆完全把本身服装成男孩“米克尔”，剪短发、穿男孩子的衣服，更像男孩子一样赤膊踢球、泅水。这很自然的吸引了女孩儿莉 莎（让娜·蒂森 Jeanne Disson饰）的重视力，两个年龄相仿的女孩彼此倾慕，逐步成为“两小无猜”的小情侣。劳拉这场瞒天过海的谎话，会随着暑假结束的到来而被拆穿么？
主演：让-皮埃尔·利奥德,德菲因·塞里格,克洛德·雅德,迈克尔·朗斯代尔,哈里-马克斯,安德烈·福尔肯,丹尼尔·塞卡尔迪,玛丽-弗朗丝·皮西尔,雅克·里斯帕尔,保罗·帕维尔,马汀娜·波萨,罗杰·特拉普,Catherine,Lutz,Claire,Duhamel,Martine,Ferrière,François,Darbon,Serge,Rousseau,Marcel,Berbert,Jean-François,Adam
导演：弗朗索瓦·特吕弗
简介：本片是特吕弗著名的“安托万系列”的第三部，但影迷凡是忽视短片《Antoine et Colette》误将其认作第二部。23岁的Antoine Doinel（Jean-Pierre Léaud 让-皮埃尔•李奥）参军队逃出后，虽侥幸逃脱赏罚，却因殴打差人入狱，不良记录对 他找工作造成故障，他前后做过酒店守门人、私人侦察等职业。过程中，安托万联系上了旧日女友克里斯汀。两人的豪情含混而不肯定。而按客户要求混进一家鞋店盯梢风情万种的老板娘时，他又将其迷上，豪情的天平开端在两个女人之间摇摆。
主演：努诺·洛佩斯,Ricardo,Pereira,Tudor,Istodor
导演：芬妮·阿尔丹
简介：
主演：卡罗勒·罗谢,加朗斯·马里利埃,罗什迪·泽姆,皮埃尔·德隆尚,莱娅·奥普莱,保罗·艾米,米兰妮·让帕诺米,阿弗西娅·埃尔奇,里贾纳·阿尼基,安娜贝尔·贝尔蒙多,约瑟芬·德·拉·波美,吉娜·希门尼斯,苏珊·卡门·贾戈金斯卡,芭芭拉·约瑟夫,布里吉特·海伦·莫雷尔,塞德里克·阿皮耶托,萨米尔·盖丝米,菲利普·雷博,班哲明·比欧雷,亚历珊德拉·耶尔马克
导演：西尔薇·维尔海迪
简介：Paris, the late 1960s. Madame Claude is at the head of a flourishing business dedicated to prostitution that gives her power over both the french political and criminal worlds. But the end of her empire is closer than she thinks.
主演：让娜·莫罗,朱莉·加耶,Liliane,Rovère,皮埃尔·里夏尔,德尼·波达利德斯,洛兰特·道驰,马修·格克齐
导演：多米尼克·蒙法尼
简介：纳塔将满7岁，却一向不克不及识字。他对姑妈遗留给他的藏书掉望不已。直到夜晚降临，书中的人物纷繁现身，奉告纳塔他们面对永久消掉的危险。因而纳塔投身于一场冒险，来解救他的伴侣和他们的故事。他来得及读出解救他们的咒语吗？
主演：劳尔·卡拉米,Anne,Suarez,杰纳维夫·马尼奇,Nolan,Arizmendi,Sasha,Lemaitre,Cremaschi,西里尔·奎伊,露西·加洛,Agathe,Dronne,Mathilde,Weil,Dana,Fiaque,Mareme,N'Diaye,Olivier,Faliez,伊琳娜·穆雷勒,Aymeline,Alix,Carima,Amarouche
导演：埃里克·格拉韦尔
简介：朱莉在巴黎一家豪华酒店打工，工作很是辛劳，还要尽力赐顾帮衬在乡间的两个孩子。后来，她获得了一个等候已久的工作口试机缘，但一场全国性的罢工爆发了，导致公共交通系统堕入瘫痪。一向以来，朱莉尽力在生活中维系着一种均衡，而这类脆弱的均衡被突发事务所打破。为了称心如意，她冒着随时城市碰鼻乃至掉去一切的风险，开端了一场与时候的疯狂竞走。
主演：Richard,Anconina,帕特里克·坦西,布鲁诺·洛歇,Jean-Luc,Lahaye,Jeanne,Mas,Gilbert,Montagné,Sabrina,Salerno,Valéry,Zeitoun,Début,de,soirée,Desireless
导演：Frédéric,Forestier
简介：Vincent和Antoine都是狂热的乐迷，两人靠处处做工地秀苦苦撑持着一个小小的演艺公司。眼看生计难觉得继，Vincent家中的一个小小皮盒给了他们创业灵感：Jeanne Mas, Jean-Luc Lahaye, Lio, Desireless, Peter Sloane, François Feldman, Début de soirée, Images, Cookie Dingler, Sabrina, Gilbert Montagné... 里面装满了80年代的畅销曲！让这些80年代的巨星从头登上舞台会大年夜卖吧！？两位建造人因而解缆去寻觅那些已被公众遗忘的明星们。从乡间小酒吧里的寒酸怀旧演唱会开端r……直到法兰西活动场！
主演：玛丽·布奈尔,雷内·赫格尔,卡特琳·萨米,贝基·吴,罗布·多德,约什·亚
导演：玛丽·海伦·鲁克斯
简介：Marion（玛丽·布奈尔 饰）已五十岁了，她与母亲同住，外表看起来她与凡人无异，在雨天喂鸽子，与母亲拌嘴，但实在她得了先本性的重视力障碍，依托便签，她的生活才能继续，为了去犹他州南部的国度公园，她做了十分多的尽力，可是仅凭本身一人她没法做到。此时，三十岁的Rob走进 了她的生活，固然二人的相遇实在不十分完美，但是他们还是决定一路前去目标地，而这一路又有甚么样的冒险在等候着他们，他们可以或许顺利达到吗？
主演：Danièle,Huillet,Jean-Marie,Straub
导演：Pedro,Costa,Thierry,Lounas
简介：Six unused scenes from WHERE LIES YOUR HIDDEN SMILE One of the more priceless of the bagatelles in this collection features a lounging Jean-Marie Straub who gives a non-stop disquisition on liberty and filmmaking while Danièle Huillet busies herself with laundry, and their dog Melchior frisks in and out of frame.
主演：贝纳德特·拉封,弗朗索瓦·布里昂,亚历山德拉·斯图尔特,米歇尔·加拉布吕,雅克·里伯罗勒,杰拉尔·巴里,Florence,Loinod,保罗·盖尔
导演：雅克·多尼奥-瓦克罗兹
简介：
主演：René,Lefèvre,朱尔·贝里,弗洛雷勒
导演：让·雷诺阿
简介：朗治（瑞奈·列费夫尔 René Lefèvre 饰）在一间印刷厂里做了平生的文员，撇开正式职业不谈，他还有一颗成为作家的心，经常在业余时候创作漫画和小说。一天，朗治的老板由于贪腐欺骗的罪过东窗事发选择了跑路，却在路上遭受车祸着落不明，为了保持印刷厂的正常运作，朗治被选举成了印刷厂的姑且管事人，在朗治和其他员工们的尽力经营之下，本来濒临倒闭的印刷厂不但避免了关门大年夜吉的命运，还有了不菲的盈利。一天，老板巴尔塔（朱尔·贝里 Jules Berry 饰）俄然呈此刻了朗治的眼前，大年夜难不死的他不但诡计并吞朗治和工人们的所有劳动功能，乃至想要将朗治的女友据为己有。
主演：胡立欧·查韦斯,玛莉亚·奥内托,María,Ucedo,Inés,Molina,Arturo,Goetz
导演：艾瑞尔·罗特
简介：2007柏林电影节评审团奖。讲述一个变换身份的神秘人的故事。像平常一样，某天去另外一个国度出差，却变成了另外一段路程的开端：当他达到他的目标地时，Juan Desouza发现他身边一名男人已灭亡。鬼使神差的，像进入一个游戏世界一样，他决定用这小我的身份，为本身找一份工作，找一个处所居住，并且不希望回到畴昔的生活。在他的这类新生活里，在可能的状况下，在没有目标的环境下，这个汉子开端了一段探访赋性的冒险。为了从头发现他的人生不雅，他用本身最根基的本能，试图贯通他对生活的理解。对他来讲，他选择甚么生活，他为甚么活着，绝不是只有一种可能。此片由德法与阿根廷合拍，艾瑞尔-罗特为阿根廷青年导演兼编剧，继2001年推出《Sólo por hoy》(生活在他方)后，此次艾瑞尔-罗特带着《El otro》再次来到柏林。该片其导演的第二部作品。Julio Chávez曾仰仗在玛莉亚.卢萨.贝姆1982年执导的文艺片《Senora de nadie》(无丈妻身)，在巴拿马影展中获得最好女演员奖，该片可谓八十年代阿根廷电影的经典之作。其出演的影片《守护者》是56届柏林电影节参展影片。
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：Alexandre,Arquillière,Jackie,Monnier,恩里克·里贝罗,Diana,Hart,雅克·贝克
导演：让·雷诺阿,Jean,Renoir
简介：Claudie, a young French woman, inherits her uncle's property in Algeria, much to the disappointment of her scheming cousins Diane and Manuel. On the ferry she meets and falls for Pierre, an idle young man who has squandered his inheritance and is on his way to beg from Christian, his rich but rough-and-ready uncle, who owns a neighbouring farm to Claudie's. Made to work on the farm by Christian as a loan condition, Pierre is soon a changed man, and proposes to Claudie. But when his Arab friend Zoubir invites the Europeans on a hunting party, Diane and Manuel see their chance to move against their cousin.
主演：萝拉·克雷顿,塞巴斯蒂安·乌泽多夫斯基,瓦莱丽·博莱同,瑟奇·伦科,欧扎·费什特
导演：米娅·汉森-洛夫
简介：卡米儿（罗拉•塞利顿Lola Créton 饰）十五岁那年遇上了苏利文，初恋的滋味让这个尚在懵懂的女孩咀嚼到爱情青涩的味道。但是苏利文从大年夜学退学，为了寻求自力的生活，在夏天即将结束的时辰分开了这个城市，开端了独自一人的路程。刚开真个几个月他还断断续续的给卡米儿来信，讲述着本身旅途中的工作，但几个月后，当卡米儿经常查抄信箱时，却再没了苏利文的消息。就如许一段经心投入却又无疾而终的初恋让卡米儿意气消沉，乃至想要自杀来寻求摆脱。在家人的帮忙下，卡米儿渐渐从这段爱情带给本身的伤痛走了出来，并且昂扬进修终在四年后成了一名超卓的建筑师。工作的启事让她熟谙了此刻的男伴侣洛朗，但是这段不变的爱情却在卡米儿偶遇苏利文后起了一丝波涛…
主演：马克桑斯·达奈-弗伟尔,鲁伯特·韦恩-詹姆斯,萨比恩·克洛森,Anaïs,D'Alyciade,Jean-Michel,Dubreuil,Agatha,Maksimova,Louise,Molinaro,Anaïs,Parello,Eléonore,Sarrazin,Axel,Baille
导演：乔里斯·福肯·格里莫德
简介：The House of Gaunt - Lord Voldemort Origins is a short film directed by Joris FAUCON GRIMAUD about Voldemort origins.The House of Gaunt is an unofficial short film who tells about the Voldemort origins, inspired by the Harry Potter universe from J.K. Rowling's book « Harry Potter and the Half-Blood Prince ». It is freely adapted for the screen and directed by Joris FAUCON GRIMAUD. This is a non-profit movie production that is unaffiliated andor controlled by Warner Bros.Made by fans for fans.
主演：加斯帕·曼尼斯,拉斐尔·费伊特,弗朗辛·拉塞特,斯坦尼斯拉斯·卡雷·德·马尔博格,菲利普·莫里尔-热努,弗朗索瓦·贝莱昂,弗朗索瓦·尼格雷特,彼得·菲茨,伊莲娜·雅各布,阿诺·翁利叶,勒内·布洛克,Pascal,Rivet,Benoît,Henriet,Richard,Leboeuf,Xavier,Legrand,Jean-Sébastien,Chauvin,Luc,Etienne
导演：路易·马勒
简介：二战末期，德国的反犹政策还在果断不移地奉行着。来自马赛的犹太孩子波奈特（拉法艾丽·弗托Raphael Fejtö 饰）是以流浪掉所，被送到法国的黉舍读书。在这里，他一向谨慎翼翼的守旧着他的奥秘，但还是由于新生的关系经常遭到同窗把玩簸弄。此中就有法国有钱家庭出身的朱利安（加斯帕尔·马奈斯Gaspard Manesse 饰）。朱利安和波奈特成了室友，在共同相处的日子里，朱利安发现，这个经常被欺负的男孩有着跟本身志趣相投的一面。两人的关系渐渐和谐，成了童年要好的火伴。当朱利安从各种迹象猜想出波奈特的犹太人布景时，他没有冷淡波奈特，并且还辅佐埋没这个奥秘。或许在孩子的心中，政治世界在竭诚的友情眼前显得过分细微。但是，大年夜人的魔掌还是侵入了波奈特的人生，庇护犹太孩子的神甫和波奈特都被出卖了……
主演：利诺·文图拉,桑德拉·米洛,让-保罗·贝尔蒙多,马塞尔·达里奥,米歇尔·阿旦
导演：克洛德·索泰
简介：Abel Davos在所有差人的追捕下，从意大年夜利米兰流窜到法国尼斯。与一名陌生小伙子Eric Starck共谋合作，他从头回到巴黎，为的是解决债务……一部震动的作品，布满了严重悬念氛围。由乔斯.乔凡尼按照本身的小说改编，是法国警匪电影中最超卓的经典之一。
主演：蕾雅·赛杜,黛安·克鲁格,维吉妮·拉朵嫣,诺埃米·洛夫斯基,泽维尔·布瓦,米歇尔·罗班,茱莉-玛丽·帕芒提耶,洛丽塔·夏马,玛莎·科夫曼,弗拉基米尔·康斯金尼,多米尼克·雷蒙,安妮·波努瓦,埃尔韦·皮埃尔,阿拉丁·瑞贝尔,雅各·诺勒
导演：伯努瓦·雅克
简介：故事产生在1789年的法国凡尔赛宫，革命的高潮囊括了全部国度，居住在宫中的王公贵族们成了革命者们报复打击的对象。为了保命，很多人决定逃跑，可是皇后玛丽（黛安·克鲁格 Diane Kruger 饰）却没法放下她崇高的庄重。悠长以来，波利内公爵夫人（维吉妮·拉朵嫣 Virgi nie Ledoyen 饰）和玛丽皇后保持了含混而又密切的关系，而这一次，保全波利内公爵夫人的人命则成了玛丽皇后首当其冲需要解决的题目。西朵妮（蕾雅·赛杜 Léa Seydoux 饰）只是一介小小侍女，但她对玛丽皇后的忠臣和倾慕是任何人都没法相比的，即便到了这个存亡关头，她仍然希望可以或许守在玛丽皇后的身边，为她卖力。因而，西朵妮瓜熟蒂落的成了玛丽皇背工中的棋子，而她实在不知道，本身将要面对的是如何的命运。
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